EDITION OF 50

WORK: IMAGINE
DATE: 2019
EDITION: 50 [COLLECTORS]
CANVAS/MEDIUM: COTTON
DIMENSIONS: 11 x 3 INCHES

In 1997, The Mirror splashed a bold, white pill on its cover with a warning: “Every family must read this.” Beneath the screaming headline “ECSTASY SHOCK ISSUE,” the article detailed a moral panic—one that demonized the drug as a societal threat while inadvertently fueling its countercultural mystique. To a generation seeking liberation in warehouses and under strobes, the pill symbolized connection, rebellion, and euphoric self-expression.
At the same time, Big Pharma had its own answer to the creeping despair of the age: Zoloft, a chemical promise of relief packaged in clinical efficiency. What emerged was a strange duality: a youth-driven movement self-medicating with euphoria, and an institutional response commodifying mental health struggles for profit.

The Highs: Generation E and the Ecstasy Movement
For the youth of the 90s, Ecstasy wasn’t just a drug—it was a cultural lightning rod. As the beats of jungle, house, and trance rattled the walls of makeshift dancefloors, the pill became a vessel for something deeper. Ecstasy (or “E”) turned alienation into communion. It gave an anxious generation a way to dissolve barriers—between themselves, each other, and the oppressive realities of corporate systems.
This wasn’t mere escapism. It was individuality embodied. Underground venues served their purpose; where freedom wasn’t just imagined—it was felt. Pills stamped with playful logos carried communal messaging encoded in chemical form. They dared people to imagine a different kind of healing: collective, euphoric, raw.
And yet, while some simply chose their own medicine, the establishment doubled down on fear.

The Tabloid Playbook: Fear, Fascination, and Fabrication
If Ecstasy was the drug of rebellion, then tabloids were the narcotic of societal control. Media outlets like The Mirror weaponized fear with sensationalist headlines that baited readers into moral panic. Tabloids fed into public hysteria by saturating headlines with alarmist phrases and doomsday predictions.

These outlets sensationalized stories to such an extreme that they erased critical discussions around the cultural and social context of Ecstasy use, turning legitimate concerns into shallow entertainment.
This wasn’t about truth; it was about spectacle. In their rush to condemn Ecstasy, tabloids paradoxically glamorized it, turning ravers into symbols of both freedom and peril. Doomsday warnings painting a dystopian picture designed to scare parents only secretly intrigued their kids. The more outrageous the claims, the more likely they were to attract them.

The Lows: Zoloft and the Corporate Response
Parallel to the rave scene, Big Pharma quietly introduced its own chemical cure for society’s growing unease: Zoloft. Unlike the frenetic highs of Ecstasy, Zoloft was slow, clinical, and thoroughly institutionalized. It promised relief from depression, neatly packaged in sterile blister packs—a consumer-friendly antidote to the chaos that defined Generation E.
But Zoloft wasn’t just a pill. It was a product of its time, emblematic of how mental health itself became commodified. Depression was pathologized as something requiring intervention from corporations, not connection. The very pharmaceutical companies profiting from these solutions often fueled the societal pressures driving the symptoms in the first place.

Here lies the tension: Ecstasy offered a raw, defiant response to mental anguish. Zoloft offered a boxed, FDA-approved one. Both were coping mechanisms, but only one allowed the individual to reclaim agency, however fleeting.

Rebellion, Then and Now
The story of Ecstasy and Zoloft isn’t just history—it’s a mirror. Today, we still face the same dilemmas, only with new packaging. Psychedelics like MDMA and psilocybin are being rebranded as clinical treatments for depression, while pharmaceutical ads continue to sell sanitized versions of happiness. The language may have changed, but the fight remains the same.
If the 90s belonged to Ecstasy, today belongs to Galaxy Gas. Nitrous oxide, rebranded as a candy-flavored high, has gone viral. Like Ecstasy, it offers youth a fleeting escape from systemic failures—mental health crises, social alienation, and economic pressures. The more things change, the more they stay the same.
Who gets to define your well-being?

Rebellion loses its power when its symbols and actions are absorbed into the very systems they oppose, transforming resistance into a commodity and defiance into a trend.